That was definitely the case in this screening, as Spider-Man: Far From Home was a pretty washed out affair, coated with more than the usual light grey dimming 3D glasses lend to a picture. Your mileage will vary from theater to theater on just how well the brightness factor holds up, as not every theater maintains its projection rig properly. You probably saw this coming from a mile away with your Spidey-senses, but the screening of Spider-Man: Far From Home observed for this evaluation was really dim in presentation. Sadly, this is another score that lost a point, due to the 2D scenes that snuck into this otherwise amazing conversion job. There’s near infinite depth in the images on display, making Europe and New York feel quite spectacular in scale.īut even in enclosed spaces, the depth between characters and their environments, as well as each other, is amazingly well drawn. In a similar vein to how Spider-Man: Far From Home breaks through the window and into the audience, its ability to draw everyone’s focus into the background is something to behold as well.
If it wasn’t for those scenes that look totally 2D in execution, this would have been a perfect score. This is even more critical with the various segments of Peter Parker’s web-swinging antics, as well as his trademark web thwips, both of which are displayed at an impressive rate. There is a strong presence of assets being thrown at, projected towards and shot around the audience’s view of the action. Watching Jake Gyllenhaal’s Mysterio display his powers alone makes Spider-Man: Far From Home’s efforts to break out of the screen worth it. But on the whole, the work on display is impressive. There are a couple of shots that break the total spell that the film casts on its audience, with those moments running in what looks like a 2D version of their contents.
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